doodlerecord
A black vinyl record turning on a turntable in soft window light, the stylus resting in the groove, with a plain wall to one side
AI-generated image, not a photograph of a real person or place.

WHAT THE ARCHIVES SAY

Sound you
can hold.

Every record is one long wiggle.

Sound was turned into motion and cut into a groove. Play it back and a stylus rides that groove, shaking as it goes, and the shaking becomes sound again. Library archivists explain how it works and how to keep it safe.

33 · 45 · 78 revolutions a minute

Check your shelf

THE SHORT ANSWER

The music is
in the wiggle.

A groove is a picture of a sound wave.
The stylus reads it by touch.

THE GROOVE

Fast wiggles, high notes

The Library of Congress explains that a stylus moving fast side to side makes higher sounds, and moving further makes louder ones.

See the numbers

THE SPEEDS

78, then 33 1/3 and 45

Shellac 78s came first. Columbia launched the 33 1/3 rpm LP in 1948 and RCA Victor its 45 rpm record in 1949.

A short history

CARE

Edges, label, upright

Handle records by the edge and label only, store them on edge, and keep them cool, dry and away from radiators.

Check your shelf
A row of record sleeves standing upright on a wooden shelf, held straight by a divider, in a cool, tidy room
AI-generated image, not a photograph of a real person or place.

FOUR HABITS FROM THE ARCHIVES

Keep the groove
clean and safe.

These come from the Library of Congress guide for audio collections. None needs special kit.

  1. Wash and dry your hands

    Then hold the record by its edge and label only, never the playing surface. Keep food and drink away.

  2. Store records on edge

    Stand them upright on sturdy shelves, with dividers every 4 to 6 inches so they do not lean.

  3. Keep them cool and dry

    For home collections the guide suggests room temperature or below and about 35 to 40% relative humidity, away from radiators and strong light.

  4. Blow the dust away

    For dust on grooved discs, the guide suggests canned air, and keeping the playback equipment clean and well maintained.

TWO NUMBERS WORTH KNOWING

Finer grooves,
longer music.

How long one side played,
before and after the microgroove LP.

3–4 min

Playing time per side

Australia's National Film and Sound Archive says shellac 78s were usually 10 or 12 inches across, coarse-grooved, and played for three to four minutes a side.

SHELLAC 78s · NFSA

≈ 23 min

Playing time per side

The Library of Congress says Columbia's first long-playing microgroove record, at 33 1/3 rpm, played for about 23 minutes a side, on a sturdier vinyl disc.

THE FIRST LP · 1948

The Library of Congress notes that the key change was the microgroove itself, not the speed or the material. Columbia's 1949 catalogue claimed about six times as much music as conventional shellac records.

A QUICK SHELF CHECK

Where do your
records live?

Pick how your records are kept to see what the Library of Congress care guide says. The bar shows how far that is from what the guide recommends.

Shelf check

Choose a set-up
Upright on a shelf in a cool roomJust right

The guide says to store discs on edge on sturdy shelving, with dividers every 4 to 6 inches, somewhere cool and relatively dry.

In their original paper sleevesUpgrade sleeves

The guide suggests replacing paper inner sleeves with high-density polyethylene sleeves where possible. A new sleeve can sit inside the old paper one.

In a pile, lying flatStand them up

The guide says to store discs upright, on edge. It also advises not mixing records of different sizes on the same shelf.

Next to a radiatorMove them

The guide says to keep recordings away from radiators and vents, and out of direct or intense light.

In the attic or basementAvoid

The guide says to avoid attics and basements because of leaks and extremes of temperature and humidity.

Source: Library of Congress, Care, handling and storage of audio visual materials. For home collections it suggests room temperature or below and about 35 to 40% relative humidity.

Based on the Library of Congress guide to the care, handling and storage of sound recordings. General information for home collections.

A close-up of the fine spiral grooves on a black vinyl record, lit at a low angle so the ridges catch the light
AI-generated image, not a photograph of a real person or place.

A SHORT HISTORY

From shellac
to vinyl.

Shellac 78s were made roughly from 1897 to 1960. They were heavier and more brittle than vinyl, and the speed only settled at 78 rpm in 1925; before that, discs ran at 70 to 90 rpm. The same year, microphones began to replace the big recording horn.

In June 1948 Columbia launched the 33 1/3 rpm long-playing record on vinyl, and in 1949 RCA Victor introduced its 45 rpm format. Most discs are cut laterally, side to side, though vertically cut discs were also sold.

Questions

Questions people ask

How does a record store sound?

The Library of Congress explains that sound waves were turned into motion and cut into a soft material as tiny movements in a groove. On playback a stylus rides the groove and vibrates with those movements.

Why do records play at different speeds?

Shellac discs settled at 78 rpm in 1925 after running at 70 to 90 rpm. Columbia's 1948 long-playing record used 33 1/3 rpm with a fine microgroove, and RCA Victor introduced its 45 rpm format in 1949.

Why do old 78s sound noisier?

Shellac discs have a much rougher surface than vinyl. The Library of Congress notes that this roughness is linked to more noise on playback.

Should I store records flat or upright?

Upright. The Library of Congress says to store discs on edge on sturdy shelving, with dividers every 4 to 6 inches, and not to mix different disc sizes.

Do I need gloves to handle records?

The Library of Congress guide does not call for gloves. It says to wash and dry your hands thoroughly and handle grooved discs by the edge and label areas only.

Sources

  1. Library of Congress: Care, handling and storage of audio visual materials
  2. Library of Congress, Now See Hear!: Inside the archival box, the first long-playing disc
  3. Library of Congress, The Signal: Introducing IRENE
  4. Smithsonian National Museum of American History: RCA Victor CP-5203 turntable
  5. National Film and Sound Archive of Australia: Shellac discs (78s)

Updated

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